This helps you to cope better with unexpected events during filming. Once this is done, make a detailed plan for setting everything up, starting and stopping recording. This is also the moment to think about the angles of your cameras and what they should focus on: the face of an interviewee? Gestures or movements? Or the entire setting? This is something you shouldn’t neglect, as it has huge impact on the final result. Where does it come from? Is it artificial or natural? Plan your setup accordingly, including the question: Do you need spotlights? How much space do you have? Are there people who need to pass by your cameras, and can this be avoided? Are there unexpected sources of noise? Do your best to picture the entire process up front and understand the location and the sequence of events.Īlso, don’t forget to check the light. This is important for you to get to know and to run through the entire process, so you’ve done it at least once before the pressure is on and every second counts. This makes editing a lot easier, as you might be able to use time stamps for automatic synchronization in your non-linear editing system (NLE) later on.Įven if you feel comfortable with your equipment, we highly recommend setting up a test shoot well beforehand, even if you have to do it at an alternate location, and even if you plan on shooting in your own studio or location. Next, synchronize each camera’s clock before filming. And don’t forget to verify just before the shoot because light or other conditions might have changed. This is one of the configurations you should be aware of the moment you enter the set. This could potentially lead to some very embarrassing situations where you’ve missed something critical on each camera, or you become a distraction as you run from camera to camera in a panic swapping out storage media.Ĭhoose your filming mode, and decide whether it will be best to use auto settings for each camera or whether you should set them manually, including focus. The worst-case scenario: Several cameras run out of storage media at the same time in the middle of the shoot. Or at least have a plan for switching storage media one after the other during filming. Make sure you have storage media in each camera that is large enough to record the entire event.
Preparations, step two: now that you have the right gear, check the setup. That way you get to see that person’s reaction. And remember, you can always show the person who is not talking. In this case, take the audio from one of the angles and apply it to the final cut.
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Pro tip for scripted scenes and interviews: If the scene is scripted or can be repeated without major problems, you can also try to film the scene multiple times with one camera. You need to be able to start and stop them from a distance. Third, check that your cameras have remote control capabilities. As you will be moving between them, make sure you have a sturdy tripod for each camera that you won’t be holding. Second, have a close look at what is underneath your camera. This makes the post-production process a lot easier, especially with issues of color matching.
If possible, use the same camera model for each camera, and configure them as similarly as you can. Preparation is crucial: Know your gear.įirst things first: Even if you don’t need two people, you will definitely need two cameras. Here we walk you through the phases of effective two-camera filming. With a small investment and a little bit of preparation, multi-angle shoots are feasible for everyone. A second camera minimizes the chance of not capturing every precious and unique second.Īnd this isn’t just something for pros or teams. This is why even news anchors turn to different cameras in their studio during longer on-camera segments.īut there is also an upside from the filmmaker’s perspective: a smaller risk to miss the best moments, be it the famous goal shot by grandma, the first step of your child or the one important statement of the interview. Different perspectives instantly make a scene more interesting. As everyone who has watched amateur productions has discovered it: Sticking with one single angle looks cheap and boring.
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We explain how to master the challenge of multiple angles though different cameras – as a one-man (or woman!) show.įilming with more than one camera has significant advantages. A well-shot scene grows with different perspectives.
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